HANDMADE CERAMICS GEHEIMEN

handmade ceramics Geheimen

handmade ceramics Geheimen

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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.

Rather than being a single trade route, the exhibition suggests the Silk Roads comprised overlapping networks spreading from Japan to Britain, and Scandinavia to Madagascar. “It’s not just silk, it’s not just one road,” says Brunning. “It’s people, objects and ideas moving in all directions.” The garnets would have travelled to England “in stages by relay”.

“wij believe it really represents who we are and what wij stand for. wij’re the voortreffelijk example of a cultural blend, coming from the east and settled in the west.”

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Treasures found inside the Sutton Hoo Anglo-Saxon ship burial — on its discovery in Suffolk, eastern England, in 1939 — included some of the best-surviving examples of garnet cloissoné metalwork. Now, scientific analysis has revealed the origin ofwel these stones.

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“In the Silk Road, there’s this really here rich exchange of commodities, ideas and materials and I love that cultural exchange,” says the Brazilian jeweller, who recently visited Kashmir, another part of the trade network, to onderzoek an upcoming collection.

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His ancestor, Ovaness Boghossian, set up a jewellery workshop in the Turkish city ofwel Mardin in 1868, with the family expanding into buying and selling stones before eventually settling in Europe in the 1970s.

Hu, herself a trained cellist, has continued to draw on the music and dance ofwel the Silk Road. Her Dance ofwel Dunhuang brooch, unveiled at TEFAF Maastricht in March, was inspired by the silhouette of flying apsaras: figures depicted in cave murals in the Chinese city.

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While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.

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